Tartan give The Eye another go -- Criterion
do Cassavetes and Ponecorvo -- Dawn of the Dead 4 Disk
set -- Hammer meets kung fu -- Candyman
Special Edition -- Android on region
1 -- Videodrome and more from
Criterion
Tartan give The Eye another go [27
June 2004]
The
steadily improving Tartan have announced an august re-release
for the Pang Brothers' thinly plotted by genuinely creepy
2002 The Eye (Jian gui)
for a special edition re-release in August. I say 'special
edition' with some cynicism as there are actually no extras
at all - a second disk will contain the three story horror
film, inventively title Three (San
geng 2002), directed by Ji-woon Kim, Eye
executive producer peter Chan and producer of The
Eye and the wonderful Tears of the Black
Tiger (Fah talai jone 2000). Though
the double disk release is welcome, we still reckon labelling
it as a special edition is a gross misuse of the term. What
is good news is that the picture and sound are to be remastered,
so we should finally get the frankly terrifying DTS 6.1
soundtrack available on the region 3 special edition (whose
subtitles unfortunately go out of sync with the dialogue
20 minutes into the film) - the Dolby 2.0 track on Tartan's
previous release really let the film down, and really scuppered
its biggest scare at a calligraphy lesson. This should also
give them the chance to sort out the bizarre grading on
the first release, which an early hospital night-time scene
lightened to such an extent that it looked like midday,
which really screwed around with the atmosphere. In the
meant time, if you want to catch the Pang Brothers' sequel,
The Eye 2, it's available on region 3 DVD
as I type.
Cassavetes and Pontecorvo get the
Criterion treatment [27
June 2004]
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Criterion
really score a bulls-eye in September with five of John
cassavetes greatest films as director: the ground-breaking
Shadows (1959), the hugely influential,
vérité-like Faces (1968),
the devastatingly acted A Woman Under the Influence
(1974), what for my money is the dierctor's masterpiece
- The Killing of a Chinese Bookie (1976),
and the lesser but still fascinating Opening Night
(1977). A major ionfluence on modern, dogme-style drama
and boasting some of the best performances in mordern cinema
from the likes of wife Gena Rowlands, Ben Gazzara, Seymour
Cassell and Peter Falk, Cassevetes films are too often forgotten
when discussing great directors in American cinema, and
this is a welcome move on Criterion's part. Each feature
new and (when appropriate) anamorphic transfers, and extras
range from interviews, rare archive footage and TV documentary
material. A Woman Under the Influence also
features a commentary by regular Cassavetes camera operator
Mike Ferris and sound recordist and composer Bo Harwood,
and The Killing of a Chinese Bookie features
both the original 135 minute edit anbd Cassavetes own 108
minute cut from 1978 (I've always prefered this edit). All
of the films will be available separately, but also, for
the imposing price of $124.95, as a box set. Start saving
now.
Also
up for a September release is Gillo Pontecorvo’s brilliant
Battle of Algiers. Already available on
a reasoinable region 2 disk, this looks set to force even
those of us who bought that version to cough up again -
a three disk set (and a $50 price tag) will feature a new
anamorphic transfer, the 55 minute documentary from 1992,
A Return to Algiers, new documentaries The
Making of the Battle of Algiers, The Dictatorship
of Truth and The battle of Algiers and History,
modern directors discussing the film's syle and influence,
a 30 minute extract from Patrick Roman's 3 part documentary
L'Ennemi Intime, a conversation on the conmtemporary
relevance of the film, trailers and posters.
Dawn of the Dead 4 Disk set in September
[16
June 2004]
The
UK may have seen a three-film box set of Romero's Dead
trilogy recently, but true fans of the series only have
eyes for region 1 at the moment. Following the special edition
release of the last of the series, Day of the Dead,
and a 2 disk release of Dawn, the long
promised special edition of this most supreme horror movie
has now been officially announced by Anchor Bay, and it
looks set to be the definitive DVD edition of the film,
boasting no less than three different cuts and a tasty selection
of extras. Disk 1 features the original (American) theatrical
cut and will feature a new 1.85:1 anamorphic transfer, DTS,
5.1 and 2.0 sound and a commentary by Romero, his wife Chris,
make-up effects guru Tom Savini and Perry Martin, who is
there to keep things in order. Disk 2 contains a new extended
cut of the film, which again has an anamorphic transfer,
but only mono sound, though does also feature a commentary,
this time by producer Richard P. Rubenstein and the aforementioned
Perry Martin. Disk 3 features the cut most of us who saw
it on its first release will probably be familiar with,
the European 'Zombie' cut (I still have the Zombies
FOH card I begged the cinema manager to give to me when
the film had finished its run at our local), which is again
in anamorphic widescreen, here with 5.1 and 2.0 soundtracks,
and with a commentary track featuring stars David Emge,
Ken Foree, Scott H. Reiniger and Gaylen Ross. Disk 4 contains
a new documentary, The Dead Will Walk, which clocks
in at a healthy 75 minutes in length, Document of the
Dead, a documentary made at the time of the film's
release, behind-the-scenes home movie footage, a tour of
the Monroeville Mall, advertising materials, stills galleries,
filmographies and trailers. This is how all great horror
movies should be treated.
Hammer Horror meets kung fu in August
[10
June 2004]
Vampire
movie fans will know Hammer's 1974 hybrid The Legend
of the Seven Golden Vampires, and its place in
vampire movie history. On its release this attempt to marry
Hammer's ageing vampire formula to the increasingly popular
kung fu genre seemed a little desperate, but the film itself
was a breezy and enegetic affair, and in the light of the
popularity of this very formula in Buffy,
it in rtetrospect seems some years ahead of its time. Directed
by Roy Ward Baker, the man who gave us the excellent film
version of Quatermass and the Pit, and
starring Peter Cushing as professor Van Helsing and John
Forbes-Robertson as Count Dracula, this was a co-production
between Hammer and the legendary Shaw Brothers, and arrives
on region 2 DVD with an anamorphic 2.40:1 transfer and a
mono soundtrack, but no extras.
Candyman Special Edition on region
1 [10
June 2004]
Good
news everyone. Bernard Rose's intelligent, darkly disturbing
urban horror story Candyman is coming to
region 1 in a special edition on 17 August. Though cheapened
by the two seriously inferior sequels, the original remains
an excellent example of horror taken seriously at a time
when post-modernist jokeyness was moving in on the genre.
The excellent Tony Todd makes for an intimidating monster,
but the real acting kudos go to Virginia Madsen, who is
excellent as the women investigating and thgen falling victim
to the legend of the Candyman, a hook-handed killer who
materialises if you say his name five times. Great score
by Philip Glass, too. A new anamorphic 1.85:1 print, Dolby
2.0 soundtrack (a 5.1 remix would have been nice), a film-maker's
commentary, two featurettes, storyboards and previews make
this a minor special edition, but welcome nonetheless.
Anchor Bay give Android another go
[7
June 2004]
Fans
of ingenious, inventive low budget science fiction films
were initially overjoyed when Achor Bay UK released Aaron
Lipstadt's splendid 1982 Android. That
is, until they bought the disk and saw the state of the
picture - rotten, and looking very much like it was cropped
from its original aspect ratio. Extras were painfully minimal.
How could they screw this up so bad? A great opportunity
wasted. So the news that Anchor Bay's US division is working
on a region 1 release for a pencilled-in October 12 release
is initially not that exciting news - are the film's American
fans about to be so similarly disappointed? Well perhaps
not, and that means there is hope for the rest of us, too.
At present details are scarce, but Anchor Bay are promising
that "an all-new 16:9 widescreen transfer from original
negative materials is being produced, as well as a commentary
with participants TBD [too be decided]." More extras
are also hoped for. Please guys, get it right this time.
Videodrome and more from Criterion
in August [30
May 2004]
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For
fans of cult cinema, news doesn't come much better than
this. David Cronenberg's gorgeous mindfuck Videodrome
has been announced for a region 1 release by none
other than Criterion. Following on from the excellent job
they did on Cronenberg's Naked Lunch, this
special edition features a new anamorphic 1.85:1 transfer
and mono soundtrack, plus a very nice set of extras: a commentary
by Cronenberg, actors James Woods and Deborah Harry and
director of photography Mark Irwin; Camera - a
Cronenberg short made for the 25th anniversary of the Toronto
Film Festival starring Videodrome's Les
Carlson; Forging the New Flesh, a new half-hour
documentary on the film's video and make-up effects; Fear
on Film, a discussion programme about horror cinema
featuring Cronenberg, John Carpenter, John Landis and Mick
Garris; the original trailers and promotional featurette;
stills gallery; and, perhaps most unexpected and intriguing,
the unedited Samurai Dreams Japanese
porn sequence seen in the film. This is, of course, the
complete uncut version of the film.
Also
due for release from Criterion in August is Richard Linklater's
very nifty early feature Slacker, which
features a new 1.33;1 transfer from the original 16mm element;
an audio commentary with the director and members of the
cast and crew; casting and audition tapes; deleted scenes;
on-set footage; footage from the Slacker
10th anniversary reunion; original trailer; extensive stills
gallery; the history of the Austin Film Society, co-founded
by Linklater; reviews, essays and production notes; and,
best of all, Linklater's 1988 first feature, never released
on video before, It's Impossible to Learn to Plow
by Reading Books, complete with a commentary by
Linklater.
Finally
we have Federico Fellini's rarely seen second solo feature,
the 1953 I Vitelloni. A new, high definition
1.33:1 transfer and mono sound is supported by an exclusive
documentary, The Making of I Vetilloni; a stills,
posters and memorabilia gallery; trailer and newsreels;
and a new essay by Tom Piazza.
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